By Stuart Broomer
Pianist Veryan Weston has been a significant figure in improvised music for
decades, distinguished as a soloist (on keyboards ranging from Brussels’
Luthéal piano to tracker-action organs), a composer (his brilliant Tessellations has assumed multiple forms from solo piano to choral
work) and a partner in a series of long-running collaborations (most
notably with Phil Minton, Trevor Watts and Jon Rose). As You Hear is a new
formation with violinist Pei Ann Yeoh and percussionist Beibei Wang,
younger members of London’s rich community of improvisers. The trio is
heard here in an engaging 72-minute set from the Vortex that consists of
four substantial improvisations named for spices: Masala, Galangal, Berbere
and Five Spice.
As that might suggest, there’s a certain playfulness among the three, a
chameleonic shifting of identities that includes rapid concordance and
sudden divergence, each musician quick to pick up on and initiate new
directions. As with several Weston partnerships, there’s an intense
interest in details of pitch, with Yeoh a complementary master of quarter
tones. She’s particularly adept at discarding the trappings of classical
virtuosity, at times reducing her role to a thoughtful ostinato of
pizzicato dissonances. Wang adds great rhythmic vitality and variety as
well, rapidly creating engaging patterns and sometimes creating near-vocal
effects with subtly inflected drumbeats. Weston’s contrapuntal flurries are
always a joy to hear and the three together create dense webs of
interactive particles.
Weston's subtle and profound apprehension of the discontinuities,
contradictions and limitations of harmonic systems are near their peak
here, in a trio with two fine musicians, at once receptive and forceful,
whose cultural legacies and visions take in the tonal structures of both
East and West. As heard here, they’re also thoroughly creative partners in
the random jottings, impulses and joys of free improvisation.
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