When two virtuosi meet, the result is usually strong, as is the case here with Canadian clarinettist François Houle and French pianist Benoît Delbecq. Their music has a cerebral quality at first listen: precise, disciplined, staying away from any strong bursts of expressivity or moments of exuberance. Their interaction is intimate and intelligent, but less cerebral once you start listening closely, and the fragile fluidity and emotional power of the music comes more and more to the fore. They are not only excellent musicians, they have a long history together in many ensembles, and even three earlier duo recordings, "Nancali" (1997), "Dice Thrown" (2002), "Because She Hoped" (2011), spanning a period of twenty-six years.
Their music has evolved over time, becoming more abstract, devoid of patterns. Houle describes it thus: "... we don’t try to formulate premeditated structures, or to ever adopt a traditional call and response, solo/accompaniment thing. Our improvisations are much more akin to embroidery, painstakingly paying attention to the kind of fabric we want to create, working symbiotically to achieve that by complementing each other". To provide some contrast, I also add the video below, released to promote their previous recording of twelve years ago, on which this moving away from structure is already mentioned: "we can play a lot less to say as much, or even more".Listen and download from Bandcamp.
Watch a video from 2011 - but be aware that this 2023 album is different.
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