The creativity of Jean-Luc Cappozzo and Edward Perraud knows no boundaries on this extended improvisation. From eery sounds over blues to classical trumpet, these guys manage the whole spectrum and use it too, devoid of themes and structure. Cappozzo's trumpet is ususally voiced, with not too much use of extended techniques, which does not mean that his playing is conventional.
Like some of Wadada Leo Smith's trumpet-drums duets, this album also has its spiritual moments, when the notes slowly glide pass bell-like punctuation or dramatic drum rolls, then shift intensity for some bluesy wails of sadness.The duo setting allows for very intimate conversations, with crackling electricity in the air, giving energy to the other, yet without distance for the listener, as if you were part of the live audience that also seems to appreciate what's taking place in front of them.
The second piece is more pointillistic, with little notes and beats, Herb Robertson style, great fun and tongue-in-cheek, yet gradually expanding into raw powerplay. On the third piece, Perraud's treatment of his cymbals and Cappozzo's use of electronics drive you into the territory of madness, yet both emerge full of control and confidence, when rhythm picks up, from a boppish waltz. The last piece is an exercise in touching silence with a minimum of notes leading to a maximum of intensity.
True, I like the format, very much even, but regardless of my personal preferences, this is a strong albums by two stellar musicians, whose focus is fully on the interaction and common vision. Great stuff!
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© stef
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