Tetsu Saitoh, photo by Frank Schindelbeck |
On Saturday, May 18th, just before noon Japanese great double bass
player Tetsu Saito passed away after a long battle with cancer. The
self-taught Saitoh was born in Tokyo on October 27, 1955, and began playing
the bass only when he was 22 years old. In the last three decades he became
one of the prominent free improvisers in the Japanese scene, playing with
such local heavyweights as sax player Kazutoki Umezu, drummer Sabu Toyozumi
and guitarist Masayuki Takayanagi. Soon he proved himself as one of an
elite group of musicians who expanded the vocabulary of the double bass and
kept innovating the extended techniques of playing the bull fiddle.
Bass aficionados may know Saito from his seminal collaborations with fellow
bass masters - Joëlle Léandre (Joëlle Et Tetsu - Live At Yokohama Jazz
Promenade Festival 1996, Omba, 1998), Barre Phillips and Nobuyoshi Ino
(October Bass Tri-Logue, PJL, 2001), the homage to Peter Kowald with
Phillips, Léandre and William Parker (After You Gone, Victo, 2004), the
bass orchestra Bassmasse of Sebastian Gramss with Phillips, Achim Tang,
Robert Landfermann, Ulrich Phillipp, and many more (Schwarm, gligg, 2013)
or the recent homage to another visionary bass player, Italian Stefano
Scodanibbio, organized by Gramss, with Barry Guy, Mark Dresser, Phillips, and Léandre (Thinking of …
, Wergo, 2014).
But Saitoh was more than a virtuous bass player and imaginative free
improviser. He said that “a musician only needs to sing one song in life… I
will always try to sing my own song”. But this statement reflected most his
modest character; throughout his life, Saitoh sang many beautiful and expressive songs. His musical
vision was truly free, genre-blind, brought faraway traditions to the present and
encompassed compositional strategies and improvisational techniques from
classical music, Spanish flamenco, Argentinian nuevo-tango, Brazilian
choro, Japanese traditional folk music, Korean shamanic music and,
obviously, jazz. He had worked with Butoh dancers and modern dancers - most
well-known is his close friend Jean Laurent Sasportes (who has worked
with Tanztheater Wuppertal directed by Pina Bausch), Noh theater actors,
painters, poets and filmmakers. His works responded to current affairs as
Tōhoku earthquake and tsunami, that caused the meltdown of three reactors
in Fukushima nuclear plant. No matter what kind of music he played, it was
always his own. He always suggested new perspectives and nuances in his
interpretations and his improvisations. If you want to experience his
idiosyncratic, rich vision you may begin with his most beautiful, last solo
album,
Travessia
(Travessia, 2016).
Saitoh understood music as the healing force of the universe in the deepest
sense possible, long before he had to struggle with the symptoms of cancer
that forced him to limit his activity. He saw music as a method to self
realization, here and now, and free improvisation as one of the truest
forms of such enlightening realization. But he was not bound to any kind of
ideology or mysticism about his virtuous qualities. He was gifted by a
profound knowledge how to connect people with music, manifested in his work
with handicapped and disabled, most notably dancer Ryotaro Yahagi who
became another regular collaborator. Everyone who knew Tetsu-san, even if
only through his albums, DVD’s or correspondence with him, fell immediately
in love with music, his uplifting energy, humble manners and his
compassionate sense of humor. Once you knew him, he became a dear friend.
Saitoh had plans to perform solo and with friends for the coming months,
but was open about his medical condition in his Facebook posts. He kept
uploading video clips from recent performances as the last one in his
youtube channel with another long-time comrade, sax player Michel doneda
and traditional Japanese musician Shun'ichiro Hisada. Unfortunately, sensei
Saitoh left us too soon, way too young. He will be missed.
Please visit Tetsu Saitoh website, Travessia:
http://travessiart.com
2 comments:
It is less than 12 months ago that i contacted him directly about some cd's of his.
He was sο gentle and polite, full of love for the music and the ways it brings solace to all of us.
RIP
I know him first and foremost from his collaborations with other bass players: Barre Phillips, William Parker, Joëlle Léandre. As a bass player, he fits in that category of musicians. His music will stay. We will remember him. Thanks Eyal for the review.
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